AprilBlue -『ヴァージンノイズ』

Ahead of their final show next month, Tokyo dreampoppers AprilBlue have released their final single, 『ヴァージンノイズ』, which translates to “Virgin Noise” and in the words of singer Haruki Funasoko: “These are the lyrics I wrote while questioning the meaning of standing on stage with this band. I’m glad I was able to leave them behind. […]

Shallow – “Blow It All Away”

Toronto’s own shoegaze festival Loveless Fest dials up this weekend and while the lineup impresses with a balance of higher profile international (read: American) acts to spice up the locals from the GTA and southern Ontario, there’s some domestic acts from a little further afield who bring an extra element of discovery to the schedule. […]

musbime -『流星群のあと』

Tokyo’s musbime are relative newcomers, having been active only since 2024, but have already made an impression with their debut EP 煌めきを凌いで (Brave The Blinding), which came out in late April. Like most of their peers, shoegaze is only one of the genres they’ve absorbed into their sound – there’s math in the guitar lines, […]

Attic Ocean – “Sun”

Non-Japanese shoegaze bands filming videos in Japan is now officially a thing, I guess. On Wednesday I shared one such clip from Toronto’s Neverminds, and today we’ve got one from Attic Ocean, who hail from Düsseldorf, Germany. It’s for the third taste of their forthcoming third EP I Promise I’ll Try Every Day, out next […]

The Neverminds – “Afterglow”

Those who pay attention may note that I technically shared this song last Fall on its release, along with its companion B-side “Glow”, but that was a month before the official video for the song was released and considering how little quality video content there is from The Neverminds – I’ve been talking up the […]

Parannoul – “Remaining”

Just as he opened the new year with a (so far) one-off song, Korean shoegaze maestro Parannoul has welcomed the Summer with another new song. This follows three new releases through the Spring as Mydreamfever, so it’s likely that he – as much as his audience – needed to go back to the loud guitars, […]