Blankenberge – “New Rules”

A lot has happened since Saint Petersburg’s Blankenberge released their 2021 album Everything – Russia invaded Ukraine, the band relocated to somewhere/anywhere else (their last publicly announced whereabouts was Serbia), and I fell in love with their music. Not necessarily in that order. But given the extenuating circumstances, it’s understandable that it took the band […]

Fazerdaze – “Cherry Pie”/”Bigger”

Fazerdaze’s return to active duty appears to be complete; following a post-Morningside retreat she took tentative steps back to music in 2022 with the Break! EP and a return to touring at home and abroad in 2023. This year, she committed to opening up the entirety of Pond’s North American tour this November, implying that […]

Velocity Girl / UltraCopacetic

I do like it when my personal Instagram, wherein I share pics from my ever=aging concert photo archives, intersects with this blog because it usually means I can save myself some writing on one end or the other. Case in point – today’s release of Velocity Girl’s UltraCopacetic, which revisits and rejuvenates their 1993 debut […]

Parannoul / Sky Hundred

Patron saint of anonymous Asian bedroom shoegazers Parannoul sort-of-surprise-released his new album Sky Hundred this past Saturday. I say “sort-of” because he’d hinted at it via his socials this past week, showing screen shots of tracklistings, and he’d released a new single from it this past May; sure, it could have been a one-off, but […]

Moon In June – “Slowdive”

Tokyo’s Moon In June may have been born into shoegaze – their 2020 EP 海鳴り doesn’t spare the reverb, distortion, or glide guitar – but they’ve grown through 2022’s extended player Evergreen towards last year’s debut full-length ロ​マ​ン​と​水​色​の​街 (“Romance and Soft Blue City”) to reside in a neighbourhood where power pop and dreampop intersect, and […]

Asobi Seksu x Boris

Japanese-American shoegazers Asobi Seksu‘s final full-length album was 2011’s Fluorescence, but their final release of new music came in November of 2012, with a Record Store Day release. It was a 7″ split single with Japanese noise-rock gods Boris wherein each covered one of the other’s songs. Appropriately, Asobi Seksu took “Farewell” from Boris’ 2005 […]