expect delay
I do love me some melodrama, so the third single from Siouxsie & The Banshees‘ 1988 album Peepshow certainly hit the spot. All slow burn and build and featuring one of Sioux’s best vocal performances, it’s an all-timer. The version recorded at the final stop of the Lollapalooza 1991 tour in Washington state was deemed […]
Pale Saints are a band I started out with backwards from conventional wisdom, finding a copy of their third and final album – 1994’s Slow Buildings – in a pawn shop CD bin in the mid-’90s. It’s not the one most would recommend since by this point, Ian Masters – the band’s founder and vocalist […]
Anywhere’s a valid place to find good music recommendations, but a tip from Steve Coogan portraying the Lord Almighty is not an especially common one. Said scene came towards the end of 24 Hour Party People, Michael Winterbottom’s brilliant 2002 biopic on Factory Records’ Tony Wilson: “Vini Reilly, by the way, is way overdue a […]
New Order’s 1980’s output is nigh-untouchable, but amongst those albums, it’s arguable that 1983’s Power Corruption & Lies is the best of the best, as they stepping out of the shadow of Joy Division and boldly established their own identity. And while there were no singles taken directly from the record – the band somehow […]
In this day and age where everything exists first digitally and basically in perpetuity, rarities aren’t really a thing. But in feeling like posting a Hatchie song, I opted to go for one that only barely exists physically and thus is sort of an inverse rarity. “Adored” was released as part of Adult Swim’s 2018 […]
Conventional wisdom holds that Slowdive’s second album Souvlaki is their masterpiece – certainly it’s my go-to of their catalog – but the critical re-evaluation Pygmalion – their once-but-no-longer swan song – has gotten over the past quarter-century is pretty remarkable. On its initial release in February of 1995, it seemed to be cursed. Drummer Simon […]
Now that My Bloody Valentine’s back catalog is for the most part officially back in print – the Domino-branded reissues of their last three albums came out last week (although my own order is still back-ordered till whenever) and their EPs 1988-1991 has finally made it to streaming services in its entirety, albeit retconned into […]
I haven’t done one of these posts for a Cure song yet because, well, The Cure are a big band and they have a lot of live material online and most of their classic songs have been covered many, many times. In other words – too much work. But I’m going to give it a […]
I’ve been winding my way through the recently-release World of Wong Kar Wai box set, and on re-watching Chungking Express, was reminded that I always meant to do a proper deep dive into the mid-90s relationship between Faye Wong and the Cocteau Twins, two artists who wouldn’t seem to have anything in common – one […]
If there was a way to measure musical influence per second of recording, Wire’s “Outdoor Miner” would surely be in the 99th percentile. The original version, which appeared on 1978’s Chairs Missing, clocked in at an efficient 1:44 but would be one of the most-loved tracks by the massively influential outfit. Now that quotient drops […]
