expect delay
Things to read from elsewhere
This year marks the 40th anniversary of XTC’s fifth album, English Settlement, a record that represents the inflection point in the band’s career between the frantic, high-energy post-punk they made their name with to the more orchestrated, pastoral sounds that defined the remainder of their active years. It also marked the final record that the […]
By the numbers – it’s telling that Gang Of Four in 2022 are clearly bookending themselves with the years 1977 and 1981. That was the period captured in last year’s deluxe box set 77-81, which comprised Entertainment! and Solid Gold and singles of the era. Two of the founding members – vocalist Jon King and […]
When I did this roundup of versions of Magazine’s “A Song From Under The Floorboards” back in November, I certainly didn’t think I’d be needing to make an addendum a few months later, but here we are. And that’s because none other than The Wedding Present have tackled the song as the b-side on their […]
The Jesus and Mary Chain released their landmark debut album Psychocandy way back in November 1985, which means despite putting together a remarkable career and releasing a number of good to great records, Jim and William Reid have been talking about Psychocandy for over 35 years. I went down this particular rabbit hole after seeing […]
I declared my position on the phenomenon of “Blue Monday” hereabouts last year and while that hasn’t changed, I’ll not let the opportunity for some low-hanging fruit content pass me by. So here’s a clip of New Order appearing on Dutch music programme Countdown on May 27, 1983. Before a live performance of the single, […]
Echo & The Bunnymen guitarist Will Sergeant – a player who manages to be at the same time legendarily influential and criminally underrated – has been keeping himself busy through the pandemic promoting his memoirs Bunnyman: Post-War Kid to Post-Punk Guitarist of Echo and the Bunnymen, which was released in the UK last July and […]
I guess there’s just something about Men I Trust’s smooth, synthetic sounds that makes you want to close your eyes, drift away, and then obsessively reverse-engineer their creative process. How else to explain why there’s not one but two pieces online deconstructing their songs down to the synthesizer settings. Not that I’m complaining – I […]
We’ll call this a chaser to my previous two posts detailing Shearwater’s stepping into the Thin White Duke’s shoes for a few years; a series of articles detailing frontman Jonathan Meiburg’s deep fascination with all things David Bowie. First off, an essay/review at Talkhouse from March 2013 about Bowie’s penultimate record, The Next Day wherein […]
As impressive as a live-to-tape recital of Bowie’s Lodger was, it would be only the preamble to Shearwater’s greatest Bowie tribute. And the irony is that, relative to the modern-day benchmark of every bit of media being free to everyone, everywhere, you can’t hear it. The “what” of it was a series of three concerts […]
The 30th anniversary of Ride’s debut Nowhere was technically last October, but Autumn 2020 was hardly a time where anyone anywhere felt like celebrating anything. It’s debatable how good things are a year on, but they’re definitely better, so if they want to treat the record’s 31st birthday as a do-over for the 30th, that’s […]
