expect delay
It’s one of my great regrets that I hung up the old blog before Alvvays put out their debut album, preventing me from properly gushing over the best new band to come out of Toronto in forever. I did, however, get to write them up while they were still “Always” and Molly was still brunette, […]
To mark the 30th anniversary of The House Of Love’s self-titled debut and its four millionth re-release (this time a 5-CD set comprising the album, b-sides, demos, the John Peel Sessions already released in 2000, and an era-correct collection of live tracks), Cherry Red Records sat Guy Chadwick and Terry Bickers down on a patio […]
The Sundays’ debut album Reading, Writing & Arithmetic turns 31 years old today, and so I grudgingly salute the bands ability and willingness to remain disappeared completely after wrapping their Static & Silence tour in December 1997. Aside from some Record Store Day releases of their three albums in the last few years that sell […]
Reverb.com’s main purpose is as a music gear marketplace, responsible for inciting poor decision making from impulse control-deficient musicians (I’m looking at you, me). But they also maintain a respectable editorial department, and so there’s pieces like this March 2018 interview with Michelle Zauner of Japanese Breakfast about her second album, Sad Songs From Another […]
Choux are a Canadian-American duo comprised of Montreal’s Lizzie Carolan and Minneapolis’ Jordan Gatesmith. The title track of their 2020 debut mini-album cops some ridiculous Elizabeth Fraser vibes and while the rest doesn’t go so straight Cocteaus, it’s beautiful dream-pop, front to back.
