expect delay
Things to read from elsewhere
Kevin Shields doesn’t really seem a Twitter kind of guy, but with the Domino re-release of the remastered reissues My Bloody Valentine’s of Loveless and Isn’t Anything rolling out today, he found his AOL password and along with the rest of band all sharing the @mbvofficial account, got online this week to participate in an […]
I’ve been winding my way through the recently-release World of Wong Kar Wai box set, and on re-watching Chungking Express, was reminded that I always meant to do a proper deep dive into the mid-90s relationship between Faye Wong and the Cocteau Twins, two artists who wouldn’t seem to have anything in common – one […]
If there was a way to measure musical influence per second of recording, Wire’s “Outdoor Miner” would surely be in the 99th percentile. The original version, which appeared on 1978’s Chairs Missing, clocked in at an efficient 1:44 but would be one of the most-loved tracks by the massively influential outfit. Now that quotient drops […]
Like many of their ’90s-era brethren, Swervedriver are a band who know their way around a b-side. Indeed, some of their most fan-favourite cuts don’t even appear on their studio albums, and are hard to lay ears on. And so it was a pretty big deal, if a quietly-announced one, that at the end of […]
It’s not unreasonable to assume that a chart-topping single – even on the UK indie charts – in 1985 would have a video, given it was the MTV era. However if you were to go looking for the clip for “Primitive Painters”, Felt‘s luminous chart-topper from 1985’s Ignite The Seven Cannons, built on Maurice Deebank’s […]
It’s quite a thing for a single song to be given credit for creating not just a musical genre, but an entire subculture but these are things that are attributed to Bauhaus’ 1979 debut single, “Bela Lugosi’s Dead”, aka the song which begat goth. PopMatters ran a piece on the song’s importance and influence on […]
The head of Jason Pierce must be an interesting place to be, on many levels, particularly when it comes to his approach to crafting Spiritualized records. In 2016, Sound On Sound took a deep dive into the band’s landmark 1997 album Ladies & Gentlemen We Are Floating In Space with a specific focus on the […]
Part of the rollout for Mogwai’s latest album As The Love Continues back in February was Stuart Braithwaite, Barry Burns, and band’s account live-tweeting a playthrough of the record on Tim’s Twitter Listening Party the night before the album was certified as their first #1 record in the UK. Not a bad way to celebrate […]
I launched this blog with some Swervedriver content – a shot of Adam Franklin’s pedalboard from their October 2019 show at The Horseshoe – but haven’t actually talked about the band since then, so let’s rectify that, starting with some guitar-centric material since you can’t like Swervedriver and not care about guitars. I actually don’t […]
Sonic Cathedral turned the UK’s first COVID lockdown into content last year, soliciting quarantine listening selections from dreampop and shoegaze artists for their Isolationism series. Slowdive drummer Simon Scott chose the 1986 collaboration between The Moon and The Melodies between minimalist composer Harold Budd and Cocteau Twins, describing how its soothing blend of ambience and […]
