New Order – “Elegia”

It’s probably overstating things to call “Elegia” one of New Order’s signature tracks – it’s too much of a stylistic outlier for that – but it is one of their most notable and memorable. Opening up side two of 1985’s Low-Life, it’s an elegiac instrumental that bridges the far poppier halves of the album with […]

Cocteau Twins – “Pearly-Dewdrops’ Drops”

Here’s another instalment in the series I’ll call “Cocteau for Cocteau’s sake”, where I’ll just throw some Cocteau Twins material out there because doing so makes the world a marginally better place. Wikipedia says that the band had two videos before this one, taken from 1984’s The Spangle Maker EP, but I can’t find it […]

MEMORIALS – “Tramps!”

A new band with an impeccable pedigree, MEMORIALS is the duo of Matthew Sims – he of It Hugs Back and Wire – and Verity Sussman of Electrelane. Though the two had collaborated off the record for some time, their first officially released output comes in the form of soundtracks for a pair of documentary […]

The Japanese House – “Boyhood”

It’s been four years since Amber Bain – aka The Japanese House – released her sumptuous debut Good At Falling, and she’s been pretty much radio silent since her Chewing Cotton Wool EP came out in late 2020. Official word on the follow-up is still forthcoming, but she’s finally returned with new music in the […]

XTC: This Is Pop

I’m not sure how a cable network like Showtime makes a business case for financing feature-length documentaries on cult bands like XTC, but I’m certainly glad that they do because ones like 2017’s XTC: This Is Pop are really terrific. In the opening minute, guitarist and frontman Andy Partridge takes the piss out of the […]

The Cure – “In Between Days”

Quite a rollercoaster week last week for North American Cure fans. First, there was the excitement around the announcement of their tour this Summer for their forthcoming Songs Of A Lost World. That gave way to confusion when the ticketing was announced to be following the TicketMaster “Verified Fans” model, and turned into anger when […]

Asobi Seksu – “Thursday”

New York’s Asobi Seksu certainly had their unique angle in the mid-aughts shoegaze revival with their blend of dreampop and J-pop, complete with bilingual vocals from frontwoman Yuki Chikudate, but as the decade rolled over, their attempts to move away from the elevator pitch that made their early work so appealing yielded diminishing returns and […]