expect delay
Nagoya dreampop duo Blurred City Lights came just about out of nowhere last year – okay, out of their bedroom studios – with their full-length debut 天使のいない街で that ended up with a highly-coveted position on my 2024 year-end list. It did this on the strength of its vision, songwriting, and managing the impressive task of […]
It’s impossible to get into the Japanese music scene even a little without encountering the world of idols, and by extension, alt-idols, which basically is the combination of idols with alternative music genres (see: Babymetal). It’s strange and fascinating and actually quite entertaining live – I saw Planet After The Rain at a shoegaze showcase […]
If there is any place on earth that is a physical manifestation of the Japanese dreampop/shoegaze scene, I think it would be Kōenji HIGH, a venue – or live house, as they call clubs here – in the northwest of Tokyo. They regularly host showcases from label/promoters Dreamwaves and Total Feedback, and by pure luck […]
I don’t know much about re:lapse, save for the fact that all the members have previous tours of duty in other bands in the Tokyo shoegaze scene and they’ve put out a series of terrific EPs since the Fall 2021, helpfully self-titled and sequentially numbered. The first was a pleasant if rather unremarkable slice of […]
“Influenced by Kinoko Teikoku” is basically a J-gaze subgenre – or maybe a synonym – and one of the current leading lights of that style is Hammer Head Shark, a Tokyo quartet especially good at their forebear’s combination of sonic aggression and angsty vocals, with a healthy dose of snotty youthful rebellion added for good […]
Despite being probably the heaviest rotation artist for me in the past year and having discovered them through my investigations of Japanese dreampop, I’ve not written anything about Hitsujibungaku because, well, I don’t really think of them as dreampop. As I mentioned in my 2023 wrap up I’d grant you adjacent, maybe, as Moeka Shiotsuka […]
From the relatively familiar to the new , Hokkaido’s Plums, who despite being wholly un-Googleable, have put out a number of excellent EPs of fuzzy power pop since 2019, including a new one just this past February in Life. At least those exist on streaming, and they’ve got a YouTube channel so folks can stumble […]
The first post from Tokyo proper – Kon’nichiwa! – should be the band that kick-started this whole J-pop/J-gaze obsession that’s been going on hereabouts for over a year, and is in no small part one of the reasons I’m here right now (don’t tell my family) – the dear departed For Tracy Hyde. I’ve celebrated […]
Nagoya duo Blurred City Lights are one of the newer Japanese dreampop artists to have caught my ear, with their debut album 天使のいない街で (In A City Without Angels) one of the genre highlights of the year so far. Though quite fresh-faced and with an unabashed bedroom studio aesthetic, they’ve crafted a debut that demonstrates both […]
Get yourself ready for some J-gaze/adjacent goodness as I head to Japan tomorrow for a two week jaunt across Tokyo and Osaka. In lieu of any sort of in-depth content, I’ll just stretch the equivalent of a playlist out over the duration, starting with one the godheads of the scene, Kinoko Teikoku. This tune, fitting […]
