expect delay
Amelia Murray’s decision to take a break from everything in May 2018 seemed a little dramatic and concerning at the time, but it turns out she was just a couple years ahead of the rest of world in needing to just stay home for a while. In a press release, she reflects on the need […]
I’m not huge on film soundtracks or scores, even if they’re by artists I like, as their inherent background music-ness tends to not hold my interest. A strong exception to this is Mogwai, who obviously know a thing or two about making atmospheric instrumental music bracing and exciting. So when the band releases a soundtrack, […]
That The House Of Love’s first new track in almost a decade doesn’t sound anything like their classic, first-run material probably shouldn’t be a surprise. Neither 2005’s Days Run Away or 2013’s She Paints Words In Red revisited the elegant dream-pop of their 20th century albums, despite the presence of original guitarist Terry Bickers in […]
Swervedriver b-sides have long been things of beauty and held in high regard, and one particular fan-favourite is “Cars Converge On Paris”, originally released in 1993 as a b-side to Mezcal Head single, “Last Train To Satansville”. Never being ones to shy away from the deep cut, the band included the song in the encores […]
Montreal’s Men I Trust have followed up on last year’s Untourable Album with their first new track of 2022. Maybe a little late, considering how prolific the trio typically are, but they’ve been kind of busy soaking in the irony of taking Untourable Album on the road for much of this year; they’ve just set […]
I’ve only just started the latest season of Stranger Things, but already know that Siouxsie & The Banshees’ “Spellbound”, the lead single from their 1981 album Juju, gets a sync in one of the final episodes. Will this be the band’s “Running Up That Hill” moment and net them a 40-years-later #1 and multimillion-dollar windfall? […]
Every once in a while I think about would-be supergroup Minor Victories and wonder why I didn’t love their 2016 self-titled debut more than I did. I listened to it a lot on its release, and it certainly hit a lot of sweet spots for me, but didn’t end up having the shelf life I […]
Interpersonal tensions aside, the passing of drummer John Lever in 2017 pretty much put an end to hopes for any kind of follow-up to The Chameleons‘ fourth album, 2001’s Why Call It Anything. Fans have done alright with finding things to buy thanks to a steady stream of reissues of their studio albums and ’80s […]
The common narrative for the first era of Ride is their early EPs and 1990 debut Nowhere are the hallowed records and shoegaze blueprints, 1992’s Going Blank Again perfecting the balance of noise and pop, but 1996’s Tarantula and their attempts to pivot to Britpop was too late and too bad, putting the band on […]
Wire’s penchant for revisiting and reconstructing old material is a topic I’ve meant to go deeper into for a while, but it’s not happening here or now. Instead, a selection from their latest official release, which is a wide release of a former limited release which was a re-release of a decades-old unofficial release. Not […]
