expect delay
Things to read from elsewhere
I declared my position on the phenomenon of “Blue Monday” hereabouts last year and while that hasn’t changed, I’ll not let the opportunity for some low-hanging fruit content pass me by. So here’s a clip of New Order appearing on Dutch music programme Countdown on May 27, 1983. Before a live performance of the single, […]
Echo & The Bunnymen guitarist Will Sergeant – a player who manages to be at the same time legendarily influential and criminally underrated – has been keeping himself busy through the pandemic promoting his memoirs Bunnyman: Post-War Kid to Post-Punk Guitarist of Echo and the Bunnymen, which was released in the UK last July and […]
I guess there’s just something about Men I Trust’s smooth, synthetic sounds that makes you want to close your eyes, drift away, and then obsessively reverse-engineer their creative process. How else to explain why there’s not one but two pieces online deconstructing their songs down to the synthesizer settings. Not that I’m complaining – I […]
We’ll call this a chaser to my previous two posts detailing Shearwater’s stepping into the Thin White Duke’s shoes for a few years; a series of articles detailing frontman Jonathan Meiburg’s deep fascination with all things David Bowie. First off, an essay/review at Talkhouse from March 2013 about Bowie’s penultimate record, The Next Day wherein […]
As impressive as a live-to-tape recital of Bowie’s Lodger was, it would be only the preamble to Shearwater’s greatest Bowie tribute. And the irony is that, relative to the modern-day benchmark of every bit of media being free to everyone, everywhere, you can’t hear it. The “what” of it was a series of three concerts […]
The 30th anniversary of Ride’s debut Nowhere was technically last October, but Autumn 2020 was hardly a time where anyone anywhere felt like celebrating anything. It’s debatable how good things are a year on, but they’re definitely better, so if they want to treat the record’s 31st birthday as a do-over for the 30th, that’s […]
As a band more frequently placed in the folk-prog end of the indie rock spectrum, Shearwater‘s David Bowie comparisons don’t go much further than Jonathan Meiburg’s astonishing voice. But circa their 2016 record Jet Plane and Oxbow, they took more direct influence from The Thin White Duke. Political art can be such a tricky thing. […]
There has been a dearth of Magazine content hereabouts lately; this cannot stand. So let’s have a look/listen to the lead single from the band’s third record – 1980’s The Correct Use Of Soap – which was notable for being the last with founding guitarist John McGeoch as well as being produced by the legendary […]
I’d considered photographer Kevin Cummins to be one of the visual documentarians of Britpop, as his recent book While We Were Getting High testified, but I didn’t realize that he was also the man behind most of the iconic photos of Joy Division a decade and a half earlier. But he’s just released a collection […]
I – like everyone – has spilt a lot of digital ink on My Bloody Valentine this year, what with their back catalog finally coming back into print on all mediums in all territories in time for the 30th anniversary of their landmark Loveless. So much so that when the actual birthday of the record […]
