Mogwai – “Coolverine”

Tonight, I’ll be seeing Mogwai for the eighth time, but the first in over five years and the first time touring behind a regular studio album in a decade. That January 2017 show was for their 2016 soundtrack Atomic, which I loved and was thrilled to hear performed front to back, but it’s a different […]

Chapterhouse – “Pearl”

Chapterhouse have never seemed to have the best timing. Despite being key players in the “Scene That Celebrates Itself”, history has relegated them to also-ran status. Perhaps that’s because after representing a danceable bridge between shoegaze and baggy on their 1991 debut Whirlpool, they pivoted further into dance and psychedelia with 1993’s Blood Music, but […]

Siouxsie & The Banshees / Nocturne

It’s no esoteric bit of trivia that The Cure’s Robert Smith joined Siouxsie & The Banshees in 1983, stepping in on guitar after John McGeoch left in October 1982 following a nervous breakdown just prior to the release of A Kiss In The Dreamhouse. This was the second time he joined the Banshees, having previously […]

Curve – “Horror Head”

While Curve are usually named in the second tier of first-wave shoegaze bands, they haven’t gotten the same level of respect as their ’90s peers, despite arguably just as groundbreaking. They embraced electronic and dance textures earlier than most, and frontwoman Toni Halliday’s sexy/scary charisma set the template for many alt.rock rocks to follow. A […]

Wire – “Kidney Bingos”

Saluting of one of the most satisfying combinations of melody and gibberish, “Kidney Bingos”, the single from Wire’s 1988 album A Bell Is A Cup… Until It Is Struck. In a 1988 interview with McGill University radio station CKUT, Colin Newman offered these thoughts on the song: “There’s always been a very strong pop element […]

Ride – “Leave Them All Behind”

Last year, I marked the 29th anniversary of Ride’s Going Blank Again with a “Twisterella” post so this year – the much rounder 30th birthday – here’s the record’s opening track. While understandable that the video uses the radio edit – it’s doubtful the full eight-plus minutes would have cracked the UK top 10 – […]