Kurayamisaka – “Metro”

When Kurayamisaka dropped their long-awaited full-length debut kurayamisaka yori ai wo komete last month, I commented that it was odd that for such a long-awaited record, the release rollout was surprisingly muted as far as new content goes (though one could argue that a new album is plenty of new content). As it turns out […]

Whitelands – “Glance”

Lots of on-topic new music in the last little while which we will largely get to in time, but for now let’s ring in October with news of Whitelands’ second album. The London shoegazers teased the follow-up to their 2024 debut Night-Bound Eyes Are Blind To The Day back in June with “Heat Of The […]

Swiimers – “Erika”

South Korean shoegazers Swiimers haven’t had the most linear career – singer MQ Cho (조민경) fronted Ultra High-Frequency, who released a debut EP in 2012, before forming the new outfit with a similar sound and putting out a self-titled EP in 2016 (covered in previous posts) and a handful (well, three) singles over the next […]

RAY – “Bittersweet”

Japanese idol-gaze heroes RAY announced details of their fourth album yesterday, and after 2022’s Camellia, which took their album naming convention towards the floral, they’re back to colours – White will be out on October 1. They’ve expanded their influences since their 2020 debut Pink, which owed more than a debt to their former incarnation […]

Hatchie – “Lose It Again”

The burning Marshall cabinet that opens the video for “Lose It Again” might imply that Australian dreampop queen Hatchie is entering her glam rock era, but it’s a feint as it abruptly cuts to Hariette Pilbeam riding in the back of a pick-up truck through the countryside, albeit with the pre-immolation 4×12″ in tow. After […]

Swervedriver – “Rave Down”

Summer’s effectively over so let’s say goodbye with some early Swervedriver. “Rave Down” was the title track from the band’s second EP, coming in November 1990 almost a year before their debut full-length Raise, on which it would feature. The video kind of features a live performance but the visuals are all pretty obscured by […]