expect delay
There was rightly an outpouring of coverage when legendary graphic designer Vaughan Oliver – responsible for the visual language of 4AD records from its inception through the late ’90s – sadly passed away in December of 2019. Long Live Vinyl was fortunate enough to talk to Oliver about his work in August of 2018.
Even relative to his immensely otherworldly and experimental discography, Brian Eno’s Another Green World stands out as an especially magical record (Fripp!). And I’m not too embarrassed to admit that I was led into exploring Eno’s solo work – particularly the more conventional rock/vocal records of the ’70s – through a movie soundtrack. “The Big […]
Reverb.com’s main purpose is as a music gear marketplace, responsible for inciting poor decision making from impulse control-deficient musicians (I’m looking at you, me). But they also maintain a respectable editorial department, and so there’s pieces like this March 2018 interview with Michelle Zauner of Japanese Breakfast about her second album, Sad Songs From Another […]
“Absolute Beginners” is one of my favourite Bowie songs, and one I fear gets unjustly overlooked in the general “everything after ‘Scary Monsters’ is bad” narrative that gets applied to his ’80s output. I mean, yes, his studio albums of the era aren’t great, but if you get into the singles and soundtrack contributions, there’s […]
Emma Anderson of Lush and Sing Sing pens an essay for Sonic Cathedral on discovering The Return Of The Durutti Column, the majestic debut album from Vini Reilly and company.
From the March 2005 issue of Sound On Sound – producer Stephen Hague gets heavy into the nuts and bolts of recording of New Order’s 2005 single, “True Faith”. CLASSIC TRACKS: New Order ‘True Faith’ @ Sound On Sound
Started by Charlatans frontman Tim Burgess at the start of the COVID-19 pandemic, #TimsTwitterListeningParty has been a balm for these times, inviting artists and fans to participate in a real-time commentary via Twitter as they listen to a given record start to finish. And thankfully, they’re all archived. Here’s Andy Bell and Loz Colbert of […]
Choux are a Canadian-American duo comprised of Montreal’s Lizzie Carolan and Minneapolis’ Jordan Gatesmith. The title track of their 2020 debut mini-album cops some ridiculous Elizabeth Fraser vibes and while the rest doesn’t go so straight Cocteaus, it’s beautiful dream-pop, front to back.
I was very excited when Pitchfork released this video some five years ago, but assumed it was a short “explainer”-type video and didn’t bother watching it after bookmarking. Turns out it’s almost an hour-long, slickly-produced proper documentary of maybe my favourite all-time album*. So that was an unexpected treat. * for right now, anyways
A history of the namesake of this site from the folks who made it. So chosen because of its ubiquity on many of my favourite recordings and its general overall coolness. The Roland RE-201 Space Echo Story @ roland.co.uk
